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CUYAHOGA
FALLS
BROADCAST
MEDIA
OF
THE
1950S
AND
60S
AM
RADIO
STATIONS
AKRON
WADC
1350Khz
CBS
became
WSLR
in
1967
WAKR
1590
ABC
Pop
music
WHKK
640
MBS
became
WHLO
in
1962
WHLO
640
“Hello
Radio”
Pop
music
CLEVELAND
KYW
1100
NBC
became
WKYC
in
1966
WABQ
1540
WDOK
1260
became
WIXY
in
1967
WERE
1300
WGAR
1220
CBS
WHK
1420
MBS
“Color
Radio”
WIXY
1260
WJMO
1540
became
WABQ
in
1964
WJW
850
ABC
WKYC
1100
CUY.
FALLS
WCUE
1150
M.O.R.
MUSIC
YOUNGSTOWN
WKBN
570
Lots of the radios in use during the 50s were beautiful old
wooden
cased
sets,
and
many
people
used
big
consoles
from
the
30s
and
40s
equipped
with
turntables
for
78rpm
records
and
shortwave
receivers
to
hear
the
BBC
and
other
wartime
news
from
abroad.
All
of
the
radios
used
vacuum
tubes
that
occasionally
burned
out
and
had
to
be
replaced.
You
could
save
money
by
removing
the
tubes
and
testing
them
at
the
drugstore
yourself
rather
than
calling
the
repairman.
AM Radio in this time period was still evolving and not yet
overcrowded
with
local
stations.
Most
stations
operating
with
1000
watts
or
less
power
were
limited
to
daylight
hours,
leaving
the
night
free
for
the
5000,
10,000
and
50,000
watt
stations.
Several
regional
powerhouse
stations
operated
on
exclusive
frequencies
and
could
be
widely
heard
throughout
the
U.S.
and
Canada
at
night.
In
addition,
the
transmitters
required
periodic
replacement
and
tuning
of
the
final
tubes,
so
testing
at
stations
not
normally
on
the
air
at
night
could
often
be
heard,
particularly
on
Sunday
nights.
This
led
to
the
popular
hobby
of
DXing
and
kept
lots
of
folks
up
with
the
insomniacs,
especially
in
the
summer
when
there
was
no
school.
Many
of
these
regional
stations
were
heard
as
strongly
as
the
local
stations
after
sunset
(with
some
occasional
ionospheric
fading),
and
before
the
days
of
“corporate
radio”
offered
unique
air
personalities
and
locally
popular
music.
The
list
of
all
of
these
commonly
heard
in
the
Falls
would
be
very
long,
but
some
of
my
favorites
were:
CKLW
Windsor,
Ontario
Rock
music
KDKA
Pittsburgh,
PA
The
first
commercial
station
in
America
WABC
New
York
Cousin
Brucie
playing
rock
n
roll
WBZ
Boston,
MA
Bruce
Bradley
was
the
night
DJ
WCBS
New
York
Long
John
Nebel
and
his
Way
Out
World
WCFL
Chicago
Originator
of
Chicken
Man
“He’s
Everywhere!”
WCKY
Cincinnati
Send
in
for
your
Big
Hank
Snow
collection
WLS
Chicago,
IL
featuring
Dick
Biondi,
the
world’s
ugliest
disc
jockey
WLW
Cincinnati
ran
a
megawatt
during
WWII,
was
heard
on
stovepipes!
XERF
Villa
Acuna,
Mex.
UFOs
and
other
strangeness
Of course, the local stations also offered some interesting
evening
fare.
In
addition
to
the
Lone
Ranger,
Amos
n
Andy
and
the
other
traditional
shows,
there
were
dance
parties
and
some
cool
cats
like:
Casey
at
the
Mike
(WJW)
with
lots
of
sound
bites
“that
was
the
sound
of
a
man
in
pain”,
etc.,
Jay
Lawrence
aka
“The
Jay
Bird”(KYW)
with
his
shaggy
dog
stories
and
Jerry
G
(Bishop)
on
KYW
reporting
the
best
spots
for
“counting
alligators”.
Daytimes
were
lightened
by
Specs
(Howard)
and
Hare
(Harry
Martin,
later
Happy
Hare)
with
the
world’s
corniest
jokes
on
KYW.
I’ve
stayed
current
with
Happy
Hare
and
Jerry
G,
because
they
both
wound
up
with
me
in
San
Diego,
and
up
until
August
of
2004
they
were
still
telling
those
bad
jokes
on
KPQP.
Unfortunately,
the
media
moguls
here
have
now
replaced
the
music
with
Talk
Radio,
which
seems
to
have
become
the
fate
of
what
was
once
a
lively
and
entertaining
medium.
The
early
rock
era
was
also
filled
with
another
kind
of
programming-
the
station
jingles. Rock station WHK, in particular, couldn’t talk about
anything
without
the
aid
of
a
snappy
little
tune
in
four
part
harmony:
Whether
it’s
cold
or
whether
it’s
hot
were
gonna
have
weather
whether
or
not
so
before
you
go
and
play
here’s
the
weather
for
today!
SNOW
That
was
the
weather,
now
you
know.....etc.
and
always
ending
with
the
station
logo-
on
WHK,
color
channel
14,
color
radio!
FM
RADIO
Frequency
Modulation
was
a
brand
new
medium
in
the
1960s
and
the
broadcasters
weren’t
quite
sure
what
to
do
with
it,
so
it
was
mostly
used
by
colleges
and
universities
who
found
it
easier
to
get
licensed
there
-WAPS,
later
WAUP
at
Akron
University
is
a
good
example-
and
in
classical
or
instrumental
music
formats.
Some
broadcasters
simply
mirrored
their
AM
programs
most
of
the
day
(WAKR-FM
for
example).
Most
of
the
music
format
stations
had
few
if
any
commercials
and
there
was
little
or
no
noise
or
interference,
so
businesses
and
housewives
used
it
as
background
“elevator”
music.
This
lasted
only
until
inexpensive
portable
radios
became
available
with
the
FM
band,
and
by
the
1970s
the
rush
was
on
to
move
all
music
programs
(and
the
advertising)
onto
FM.
The
FCC
then
mandated
that
FM
stations
be
licensed
separately
and
so
all
of
the
-FM
call
letters
went
away. -
Information
Courtesy of Bruce Semelsberger
Brylcream
(Commercial)
Media & Communications
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